In 2020, we founded the curatorial duo CRO. Through the hybridization of technology and the living, we explore our mutant worlds in times of ecological emergency, from a molecular level to our socio-cultural constructs.
We position our curatorial projects outside of a sanitized and sealed white cube experience. Calling on image, writing, sound, texture and smell, we wish to foster interactive and multisensorial ecosystems of lifeforms and non lifeforms. Integrating our digital and physical living spaces, we disseminate these stimuli from the exhibition space to the teenage blogspot, from the paper of a magazine to the soundwaves of a podcast.

This year, our research focuses on the neo-medieval, intersecting themes from two of our recent projects. Firstly, the Fluxus Art Projects laureate exhibition I cried at the end of a manga at Le Château, Aubenas (2024-2025): a pop culture fable set in a middle age castle, where contemporary views rejoin non-linearly with past perceptions, focusing on our empathy and relation to strangeness, abolishing the divide between generations. Secondly, our essay The Techno-Vernacular Wave published in Zérodeux magazine (2023), focuses on reclaiming and reasserting vernacular –and often invisibilized– knowledge and practices by contemporary artists in the digital era. Approached through a microhistorical lens, our neo-medieval research aims to delve into the 'dungeon' of history and uncover why and how it influences contemporary minds.​

Among our recent projects: the group shows And the wasp entered the fig at Spiaggia Libera, Paris (2024) ; I cried at the end of a manga. Chapter 1 at Galerie Edouard Manet / Ecole munici-pale des beaux-arts, Gennevilliers (2024) ; our essayThe Techno-Vernacular Wave (part 1+2) published in Zérodeux (n°105-106, 2023) ; SENSATION, our podcast on Radio Poush taking the form of a sensorial portrait of our guests.

Our recent talks have been held at: Université Paris 3 Sorbonne-Nouvelle (2025), K11 Art Fondation Salon x Asia Now (2025), Art-o-rama (2025), Le Château (2025) –The uncanny valley: from kawaii to monstruous is now online–, Art Explora / Cité internationale des arts (2024), Galerie Edouard Manet Gennevilliers (2024), Université Paris 1 Panthéon-Sorbonne (2022).